Urban sketching at the AIS plus a new setup trial

March 12th, 2019 § 0 comments

I love getting out to draw on location at this time of year. The weather is warm but not too hot, and whilst it can be blowy, it wasn’t overly so this past weekend. I joined the Canberra Urban Sketchers for the monthly sketchwalk at the Australian Institute of Sport where there were a multitude of sculptures and odd shaped buildings to focus on for sketching. I chose the facade of the visitor centre because it presented a challenge due to the slope of the entry apron compared to the ground line and the way the building fit in with it all. I knew I would give my observation skills a good workout.

20190310 - AIS
Click to see a larger version of the sketch

I started by holding up a ruler at arm’s length to gauge where the natural ground line was, and transferred that to my page. I then compared each of the angles of the building to that horizontal line. You can see that line in the middle of my sketch where the seven white pillars are under the visitor’s sign. The rest of the sketch flowed from there. The colours of the scene were a little underwhelming, so I punched them up a little and made sure I got the shadows in to show the sunny day, and included a couple of my fellow sketchers to show scale. Looking at it on the screen, I can see that I could have gone darker on the shadow where the entry doors are! Next time!

It was a Sunday morning, so there were lots of families coming and going to swimming lessons at the pool that was to the left of the visitor centre. I was sitting close to a walkway, so I had lots of little people coming to take a look at what I was doing, asking questions and telling me how much they like to draw and paint. The oooohs and aaaaaaahs made me smile.

I tried out a new set up this week, using a photographic tripod and a piece of corflute attached to the head. Because I came up with the idea in the late hours of the previous evening, I had to bodgy up the arrangement and found some picture hanging velcro-type strips in my toolbox to attach the corflute to the tripod head. Two strips on the board and two strips on the tripod, then press together. Easy!

It worked…sort of…but there were a couple of moments where I leaned too heavily on the board, detached the lot, and sent my sketchbook sliding down to my feet. The hangers are brilliant for attaching things to walls, but not fabulous for something that has non-shearing forces applied. The concept is sound, but I need to find a more secure way of attaching the board to the tripod. The whole setup was light and fit in, or on, my backpack for easy transportation, so I’d like to explore a more durable solution. I could of course just buy an easel attachment, but where’s the fun in that? 🙂

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